Compassionate Companions in Life and Death


Stories from Asia

May 15 June 3, 2007
The Sacred Art of Living and Dying
presented in Japan, Philippines, and Thailand

Sacred Art of Living in Japan

Dr. Hiroshi Nishino is an exceptionally busy man. He is the Medical Director for the Kameda Medical Center in Kamogawa City, Japan, one of the most prestigious medical institutions in Asia. He is also an apprentice in The Anamcara Project who travels to Bend, Oregon every six months as a program participant.

This summer, a delegation from Sacred Art of Living Center visited Kameda Medical Center during our teaching tour in Asia. This was another example of discovering the mutual blessings that are developing between the Sacred Art of Living and our growing international family.

The site visit was unlike any encounter in North America. We were reminded of the way in which ancestry and antiquity and honored in Japan. Dr. Takaaki Kameda, chairman of Kameda, was our gracious host who explained that he is the 12th generation in his family to manage this facility. Imagine a physician’s lineage of 350 years in the same community. Every aspect of care in their medical center demonstrated this familial relationship. One of the first hospitals in Japan to host a formal chaplaincy program, the hospital chaplain created a chapel on the premises that was spiritually inclusive and distinctively Japanese. We even discovered a stained glass image of the Celtic hero, St. Columba of Iona in the hallways.

The Kameda facility is located on a remarkable piece of property overlooking the Pacific Ocean; across the street is Sea World Japan. Each room overlooks the deep turquoise waters and is appointed more like a first class hotel than a traditional hospital. Kameda is hopeful to become a Pilot Site for the next two year Anamcara Project Apprenticeship program. We were amazed to learn that each Wednesday a group of hospital employees meets to read a chapter in The American Book of Dying. It was remarkable to find our English language book so popularly received by a Japanese medical audience.

The highlight of our visit was to the “morgue” located on the 14th floor of the facility. Rather than hidden away in a basement, this sacred place overlooked the ocean and is called a REIAN SHITSU, which translates to: "spirit-peace-room". We were told that the body of every person who died at Kameda was brought to this morgue and placed on its beautiful glass altar. Built with the needs of grieving family members in mind, the morgue did not represent the failure of the medical system in death but honored and celebrated the continuation of life.

On the train ride back to Tokyo, as Dr. Hiroshi shared his passion and vision of the Sacred Art of Living and Dying, I told him that we in America had as much to learn in return. Our prayer is that Sacred Art of Living’s collaboration with places like Kameda Medical Center will both inspire and challenge western mainstream medical culture and its attitudes towards the end-of-life.


Meditation Garden


Kameda Hospital, Kamogawa City, Japan


Dr. Hiroshi organizes American Book of Dying lunch meetings
with hospital employees


The morgue is called a REIAN SHITSU
which translates to: "spirit-peace-room".


Altar for bodies of hospital patients


Sacred room for families to gather after death


Sacred Art of Living Delegation to Japan:
from left to right: Dr. Hiroshi, Dr. Kameda, Richard Groves, Takashi Matsuda, Dr. Steve Kornfeld, Carol Sack, Joe Richter

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Japan’s only Labyrinth


Coma Therapists demonstrate for participants


Harpist demonstrating music modes


Beauty and support of Japanese environment

Japanese Students Complete
Sacred Art of Living and Dying Series

The city of Tokyo became the first Asian location to host all four units of the Sacred Art of Living and Dying Series. Hosted on the campus of the Japan Lutheran College and the Japan Lutheran Theological Seminary, participants attended the third and fourth units with the assistance of bi-lingual translators. Responses were enthusiastic to the special program elements including the only Chartres-inspired labyrinth in Japan and the skillful teaching of Stan and Ann Tomandl, Coma Therapists from Victoria, British Columbia. Many of the graduates are participants in The Anamcara Project and will continue attending program modules in Bend, Oregon through 2008. Sacred Art of Living Center is grateful to program hosts, Jim and Carol Sack and the Tokyo-based JELC [Japanese Evangelical Lutheran Church] office who have done an extraordinary job helping to translate the entire program series for the first time in a second language. As a result of their collaboration, efforts are now underway to translate The American Book of Dying into Japanese with the assistance of program graduates.

Download PDF Flyer from Japan program


Participants experience body-mind-spirit healing


Richard Groves works with translators


Joe Richter from SALC offers logistic support


Colorful local temple honoring children

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Dr. Feliciano in front of the Samba-Likhaan Center in Manila


Retreat Center for Artists


Beautiful Filipino art


Delegation from Sacred Art of Living Center


Participants from St. Luke’s Medical Center

The Sacred Arts in the Philippines

This summer, Sacred Art of Living Center was invited to present a special series of workshops in Manila. In spite of wide spread poverty that is in evidence everywhere in the Philippines, I have rarely encountered a population of people wearing smiles and enjoying life so completely. Our host was Dr. Francisco Feliciano, a talented man who is something of a national treasure in the Philippines. A world famous musical composer, Francisco is a respected conductor who has been invited to conduct symphony orchestras all over the world. One of Asia’s leading figures in liturgical music, Francisco also has a passion for connecting the arts, culture and healing.

We were warmly welcomed at the Asian Center for Liturgy and Music called Samba-Likhaan, founded by Dr. Feliciano in Quezon City, the capital of the Phillipines. On the grounds of what was once a toxic waste dump, his vision has created a remarkable retreat center that is both functional and beautiful. Artists, musicians, writers and liturgists are invited here from around the world to live in a creative environment where the arts are respected as an important aspect of health and healing.

The Philippines is an exception to Asian religious culture in terms of its religious population. After centuries of Spanish occupation, there are large numbers of Roman Catholic communities as well as many other mainline Christian denominations. On the large island of Mindanao, a growing Muslim population was established in the Philippines before Christianity and has always lived in relative peace with its Christian neighbors to the north. Sacred Art of Living created a series of special presentations with these diverse populations in mind.

We are always surprised by the phenomenal turnout of health care workers whenever we travel outside of North America. St. Luke’s Medical Center, the largest hospital in the Philippines, arranged for a special program that brought together a couple of hundred physicians and nurses from the region. Following our evening program, several doctors told their colleagues how ripe they believed that the Filipino people are for the Sacred Art of Living and Dying. One physician spoke with deep emotion as he explained how he had wanted to be a seminary student but felt that it was irresponsible because of his family’s poverty. He became a doctor instead. He told the audience that our programs were a way for him to be both priest and doctor in his life. Another nurse spoke of how she had a Muslim mother and Buddhist father and that our programs gave her courage to deepen her understanding of both spiritual traditions. Finally, St. Luke’s new medical director, Dr. Jovan Cuanang, gave a rousing personal endorsement for The Anamcara Project and invited Sacred Art of Living to utilize his new retreat complex north of Manila for the Sacred Art of Living and Dying series in the near future.

Our final day in Manila was spent teaching at St. Andrew’s Anglican Seminary which also houses one of Asia’s largest interfaith theological projects. We spend with seminarians from over 20 Asian countries at their remarkable CPE [Clinical Pastoral Education Program] that reflects a wide diversity of religious backgrounds. It was a delight to dream with our Asian sisters and brothers of how The Anamcara Project might become part of a larger trans-Pacific initiative for the training of clergy and chaplains.


Dr. Jovan Cuanang invites Richard Groves back to teach The Anamcara Project

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An Experience of Healing in Thailand

There is a legend about an Indian saint who was abandoned at birth by his mother and was left at the door of an orphanage. Ironically, he became an extraordinarily happy soul who had the capacity to understand the sorrows of others. Rather than allowing the pain of childhood to make him bitter, the experience transformed his soul into a magnet of joyful compassion

This summer in a mountainous jungle region of northern Thailand, I met another such man. Abbot Phrakru is an unusual Buddhist monk. Father Abbot’s personal story is neither legend nor sentimentality. His mother was a paralytic who gave him up at birth because she was unable to provide a normal life. These unusual circumstances left an indelible impression on the boy. Instead of leaving him scarred with sadness, the orphan developed a strong sense of self reliance and compassion for others, especially those affected by paralysis.

We spent the morning walking and visiting with this remarkably young spiritual father at his monastery-turned-rehabilitation center located in a tropical rainforest. His center is known as the Wat [temple] Tungbopaen located some miles outside of the city of Lampang. His bright saffron robes matched the warmth of a sincere and soulful smile.

Several years ago, Phrakru discovered an abandoned temple near the outskirts of his native town of Lampang. With the help of a small band of fellow monks, he painstakingly began to restore the grounds and buildings, He also attracted local supporters who were interested in the care and rehabilitation of paralytics and quadriplegics. There were no similar services being offered in Southeast Asia.

But Phrakru’s vision was larger than the creation of a traditional medical facility. His foundation now attracts international attention for its cutting edge therapies that attracts paralytics from all over the world. Daily physical therapies include herbal baths, body wraps in native leaves known for their healing properties, massage and music therapies. The most extraordinary addition is a walking meditation pond specially constructed for the patients who are unable to walk. In Thai culture, the rice paddy is evocative of connection to nature and the production of the staple food of life. The abbot was inspired to import a significant amount of finely sifted silt from neighboring paddies and added warm, healing waters so that, in spite of their physical limitations, patients can regularly encounter the healing elements of nature.

In addition to its health care mission, the temple compound has also been transformed into a retreat center for health care workers and the general public. Every month, a new class of spiritual seekers checks in for a week long program that teaches meditation and holistic health practices for caregivers. The environment of the monastic compound is made available to spiritual seekers from all over the region enriching both visitors and resident monks.

Unlike other facilities that cater to persons who might be able to afford expensive rehabilitation, this monastic facility turns down no own because of financial limitations. With the support of his monastic community, the abbot has also attracted a remarkable team of medical and lay volunteers providing a remarkable ratio of staff to patients. Both professionals and volunteers consistently remarked to us that it was a privilege to work in an environment where the emphasis is on healing—both for caregivers and care receivers. It was as if the abbot’s smile was infectious and visible on the face of every resident and caregiver.

The reputation of this healing sanctuary has now reached the royal family of Thailand who has donated an additional fifty acres to expand the abbot’s programs in coming years. I have rarely experienced such a place of healing and transformation—both of physical and spiritual suffering. Pharukru’s story is a modern reincarnation of the possibility that even life’s tragedies contain the seeds of hope when vision and spirit are put to service. In the end, the abbot extended the use of his remarkable retreat center to host the Sacred Art of Living and Dying series when we return to Thailand in January, 2009. It will be an honor to share the work of Sacred Art of Living Center in such an environment of compassion and spiritual awareness.


Temple [Wat] on monastery grounds


Father Abbot Phrakru proposes his center
for Sacred Art of Living and Dying Programs


Patients come from all over the world for unique treatment


Rice Paddy Meditation Pond


Patient with family and volunteer


Meditation Retreat Center for Health Care Workers


Rehabilitation Center staff


Richard and Thai Host, Dr. Nirund with Abbot Phrakru


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